Movement Direction

I translate narrative, emotion, and character psychology into physical language for film, television, theatre, and live performance.

Collaborating closely with directors, writers, and actors, I design character-specific physicality, choreograph ensemble movement, and coach performers to deliver authentic, camera-ready work.

Drawing from over two decades of multidisciplinary experience across stage and screen, I ensure every gesture, posture, and sequence serves the director’s vision while deepening the overall visual storytelling of the production.